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My practice is rooted in curiosity, experimentation, and observation. I experience the world by collecting moments: fragments of light, textures and shapes, emotional residue. Everyday experiences become raw material. At its core, my work is about noticing small, seemingly insignificant details and exploring how inner worlds, memory, and sensory impressions shape the realities we inhabit.
Movement is central to both my life and art practice. Growing up in post-communist Poland in the late 90s and early 2000s, within a family (aviation on one side, railways on the other) for whom travel and exploration were natural parts of life, an uncommon reality at the time, I learned early on to experience the world through constant motion. As a child, I was surrounded by objects and stories brought back from distant places: small trinkets, textures, and memories carried across borders. At the same time, I came of age alongside early internet culture and personal computers, learning to navigate virtual spaces while physically moving through the world. This dual exposure shaped how I understand space, belonging, and multiplicity. It taught me to notice, to collect, and to hold complexity.
Travel remains a method rather than an escape. It allows me to step outside of familiar contexts, intuitively engage with people and places, discovering new perspectives and ways of being. It sharpens awareness and demands presence. Each place becomes a temporary lens through which I observe, absorb, and reconfigure meaning.
Working across installation, digital media, painting, and mixed formats, I explore themes of perception, subjective reality, and the inner landscapes that exist within us. My process blends analog and digital techniques, creating layered works that reflect the interplay between tangible and imagined matter. I’m drawn to moments where internal experience meets external reality where memory, sensation, and imagination quietly overlap.
Sensory experience is central to my work. I’m interested in how we feel our way through the world - through touch, movement, sound, and visual noise. Rather than offering fixed narratives, I create open systems - spaces for reflection and interpretation. Each work operates as both mirror and portal: an invitation to slow down, to observe, and to enter a moment more fully.
My art practice is a continuous act of observation - of people, places, and myself. Through this ongoing process, I create dreamlike moments that hold tension, vulnerability, and quiet beauty. Small gestures in a world that moves too fast dreamed up by a racing mind.
- domi
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